Cytat

Interview with publisher Morten Andersen



ˆMorten Andersen from Fast City


Morten Andersen is an Oslo-based photographer who has published five books under his imprint of Hit Me! Books: Fast City, Oslo F., White Nights: Rocknroll photography, Leira and Fast/Days.


[img]http://4.bp.blogspot.com/_dh7XdK1SgbA/SKSUGBBd6hI/AAAAAAAAARY/IQ6HujL1qPg/s1600-h/morten_oslof.jpg[img]


MM: Who designed and printed the books? How many did you print?
MA: I have designed all the books myself, only had some help with fonts and the technical parts from a friend who is a pro designer.
The different books have different editions:
Fast City: 1200, Days of Night: 1000, Oslo F: 500, Leira: 450, White Nights: 800 , Fast/Days: 1000 and forthcoming; ass time goes by: 1000


MM: How would you recommend a photographer get funding for his or her project aside from personal funds? Do limited edition prints help?

MA: I made a ltd edition of 15 for Days of Night and and an edition of 30 for Fast/Days and got some money from that, but it haven’t made a big difference for me. As I mentioned earlier, it is a problem to get money back from the different booksellers. Money comes in small amounts here and there often after a looooooong time so the money have to be in place before the release date. I had some support from official foundations but the first one was financed from insurance money after someone stole all my camera stuff and other items from my apartment, the next one is financed with a bank loan for building a new bathroom ....:-D


MM: There are similarities between your work and that of Anders Petersen and many Japanese photographers, most notably Daido Moriyama. Did these photographers have an impact on your work? If not, who is your favorite and/or most influential photographer?
MA: They have both been very important for me. Anders was one the first photographers I discovered when I started in the early 80s and when I first saw Moriyama and some other japanese photographers in the Aperture issue Black Sun in about 1990 I was totally taken by that. But before that I had already looked at William Klein who I believe was important for the Japanese photographers also... but yes, they have both had an big impact on me. Other old favorites are Lee Friedlander, Winogrand, Eggleston and Kertesz.

MM: In your personal work, are you influenced by other mediums other than photography?

MA: It was my interest in music who led me to photography but of course also film, literature and other art and stuff around you influence you.


MM: What blogs do you read? magazines?
MA: I read 5b4.blogspot.com. I seldom read magazines, but I buy a lot of books..

MM: What is your favorite book, photo or otherwise?

MA: One of my favorites from the last years is Emi Anrakuji’s first one-- not so crazy for the latest one but love the first. Other favorites are Poste Restante by Christer Strømholm, Showground by Paul Kooiker, Invisible City by Ken Schles, Waffenruhe by Michael Schmidt, Solitude of Ravens by Fukhase, and various Moriyamas books.

I am also a fan of Jack Pierson, Annlies Strba, Franz Roh, Christopher Wool, Boris Mikhailov, Nan Goldin and others; but find a lot of the photobooks coming out these days quite a bit boring...


MM: You obviously love music and have worked as a photographer for the music industry. Do you have a favorite group or genre of music to photograph? Why?
MA: When I started shooting in 1980 it was of local punk bands and it has been a lot of them since then. I almost don’t shoot bands anymore but I worked close with the Norwegian deathpunk band Turbonegro from 1990-1998, a great band and great to shoot. My next book is entirely dedicated to them, 315 pictures, 512 pages. Due out in September!!

I listen to a lot of different music but my all time favorite band is of course the Stooges.


MM: Do you have an odd or funny photography related story?
MA: There might be some but can’t think of any right now........ but if you are in NY October 29th I will have a lecture at ICP and hopefully remember some then...!

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A ja obejrzałem od a do z w zasadzie i dochodzę do wniosku, że mi się jednak - po całości - nie podoba. Inspiracje biorą często górę nad kolesia własnym widzeniem.

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Świat już wszystko połknął, strawił, wysrał i prezentuje to jako materiał twórczy.

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Inspiracja to nie jest zła rzecz. W końcu kto z nas nie zainspirował się tym lub tamtym.

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